I have a surprisingly large amount to talk about when it comes to Robin Williams. All from a consumer's point of view, of course, but from the point of view of a good consumer who, like so many others, are oddly saddened by this particular celebrity death, perhaps more so than others (such as the recent passing of the utterly brilliant Richard Attenbrough).
Early memories of The Williams factor are of a rather annoying, but occasionally funny, television character which had the rare trait of popping up in all kinds of different tv shows. The infamous Mork (1978-1982).
Unbeknownst to a youngster with viewing limitations the actor playing Mork had a much superior skill that only became apparent upon gaining enough years to be permitted their viewing. Robin William's Live Shows (1979-1986). A real hoot with the bonus of having that young adult 'a bit naughty' factor.
Then Good Morning Vietnam landed (1987), and the Robin Williams phenomenon exploded in every which way. You couldn't move for people talking about him and his skills. An awesome movie, even to this day.
A whole raft of 'great' William's films literally flooded the cinema screens at the rate of at least two per year, of which I personally rated the following: The Adventures of Baron Munchausen (1988), Dead Poet's Society (1989), peaking with The Fisher King (1991).
I use the term 'peak' because people were starting to get a bid bored of the old boy by this point. Five years of non-stop Robin Williams was bringing out all the real-life trolls, all micro-inspecting him and his activities and it got to that stage where the Academy probably were intentionally snubbing him, just because they were bored of him over-contributing to obvious Oscar-type films.
From the four movies I have already listed between 1987 and 1991, he had already received three Best Actor Nominations... but no wins...
Suddenly his movie career took an equal and opposite nose-dive. So much so that by the time Mrs Doubtfire landed in 1993 it felt more like a much needed comeback. Robin had finally returned to making classically funny Robin Williams movies.
Unfortunately, this was not the case and the future continuum of Mr Williams would be more of the Hook (1991) variety than the somewhat adult cheeky comic. Both Jumanji (1995) and Flubber (1997) seemed to seal him to a similar fate that we all know so well from both Eddie Murphey and Steve Martin.
When Williams finally won an Oscar (for Best... Supporting... Actor) in 1997 for Good Will Hunting, it felt more like a gift of guilt. A quick honour thrown out upon the realisation that there would likely be no more truly great Williams movies and the Academy had committed some grievous sin that required redressing.
By the time AI: Artificial Intelligence (2001) hit the screens he was one of the main sources of 'critical mistakes' allegations directed towards the movie by a sizable army of disappointed fans who felt the movie was 'spoiled' by being too cheesy. By modern ears, Robin Williams' voice is nothing but a voice, but for those who lived through the 1990s, just having Williams do the voice increased the cheese factor by degrees.
In 2002 he started 'going dark' as a means to eradicate the negativities surrounding his current reputation and his surprisingly menacing role in One Hour Photo once again saw people experiencing a new style of Williams movie, along with a new live stand up show the same year. But the reboot didn't really reboot anything, just kept the Ambulator ticking over.
And this is when he vanished from my, and many other people's, radar altogether. Appearing in this, that or the other. A new fan here or there, but nothing ever coming close to 'classic Williams'.
To hear that he has taken his own life upon the fear of the onset of Alzheimer's is sad, not because it is the death of a celebrity, but because it was so much what Williams was all about. He was the most 'classic' of clowns. The original circus clowns, who have big red painted smiles, but also a teardrop falling from their eye. With Williams, no matter what he did, for each and every smile there was an equal and opposite tear. It's what garnered three Best Actor nominations, countless box office smashes, endless offers of work with the very best Directors, and why we also shed a tear upon his death.
We are amused, shocked, surprised and tearful [at the idea of him cheating pain and the laws of euthanasia by cheekily killing himself], just as he has trained us to be throughout our life with him, we react to his death as we would react to him in life - is this serious? Is this a joke? Ahhh, it's Robin Williams and we're now behind the set, the filming finished for the day, alone with Williams, sharing the tears of a clown... when there's no-one else around.